Tag Archives: JJ Abrams


With the last installment from the mind of no-imagination J.J. Abrams making me nostalgic for the Star Wars prequels, I have No Hope for this movie. Even though I will take myself to the theater to see it.

I am not even providing a link to the new trailer. I have no real interest in seeing Mary Sue do EVERYTHING. How one explains away all the ridiculous shit Abrams put in the last installment is beyond me. My bet is, judging from the trailer, the new director and screenwriter said, “screw it, she found Luke Skywalker, she’s on the planet, we’ll just trust the audience to gloss over any “technicalities.”

The “technicalities” here consist of some of the worst story writing ever put to film. Abrams likes (or he is grotesquely incompetent) to “reboot” franchises by breaking all the rules already established by the franchise. That, however, you cannot do. You can do everything else, but the rules of the invented world are what constitute it’s verisimilitude. If Jason (Friday the 13th) can take a hatchet through his skull and still come after you, a bullet in the gut is not allowed to take him out. You, dear viewer, may balk at the unreality of his surviving the hatchet to the skull in the first place, but if you accept it then a rule has been set – nothing less than that can stop him.

The character of the girl in Abram’s Star Wars (unlike the George Lucas movies, including the prequels, I can’t remember the names of Abrams characters) acquires a complete set of Jedi skills in that film – with no knowledge, no training, without even a knowledge of a thing such as the Force. The rule is – only a long process of merciless training from a master will give you the skill to go fighting with a lightsaber against a baddie (or JJ Abrams spoiled teenager stand it.. Kylo – what a douchebag emo name). That was established in The Empire Strikes Back.

Abrams shouldn’t be allowed out of a movie set concession stand. How anyone let this guy behind a camera is beyond me. If the new director or screenwriter can fart his way out the galactic sized plot holes from the previous movie, I will consider him a writing wizard.


The Force Awakens… Tired and Confused


So I saw The Force Awakens on Christmas Eve.

Based on initial viewing – meh.

First the good points (and I’m going to be quick).

It did not look like the prequels, it had the look (so far as you can try such a thing) and feel (you can never really go back…) of the originals.

Also I knew as soon as the usual episode scroll rides to the top of the screen that we were not going to get bogged down in senate debates and Jedi council meetings, and conversations that take place on a couch, etc. We were going to get what we came for.

Unfortunately that brings right to the bad. I was almost, no I was, hoping for a council meeting, a senate debate or something. This was a JJ Abrams Star Wars, all guff and action and not a single attempt to explain anything.

Now explanation is not always necessary. In movies in particular, if you can express it through action instead of explanation through dialogue, that is the proper way. In Return of the Jedi we needed no explanation to know what is going on behind the mask as the Emperor is electrocuting his son before his eyes.

But The Force Awakens, as  I said, is a JJ Abrams film, he delights in doing things that have to have an explanation and then refuses to do so. It is as if the man enjoys pushing people out of the world of his own films.

Firstly, the trailers for The Force Awakens all had the black storm trooper (he is black when he takes off that helmet, his uniform is as any other stormtrooper) he looks like a man that has just suddenly emerged from a terrorizing nightmare. We are led to believe that this is the person of the new trilogy. But it is not, it belongs to some little girl. A girl who serves the modernly well-worn bromidic falsehood that little girls can fight and defeat men twice her size.

And that would be fine, if we were given some plausible (plausible here is plausible by the rules of the world created) reason for why she can do this. For instance, waif, Carrie Moss’s character, Trinity, in The Matrix Continue reading